In this work-in-progress for her debut live show CREEP, Harriet Richardson draws on her viral participatory works, folding elements of diaristic writing, comedy, and endurance into new material. Working from within her own experience of addiction and obsession, she situates the personal inside a culture shaped by parasocial intimacy and the economies of attention.

Her work has been featured in The Guardian, DAZED, The Independent, Vice, It's Nice That and beyond.